Duo Schmidt / Titova

Cello and piano duo


Wolfgang Emanuel Schmidt​

A small treasure still has a special place in Wolfgang Emanuel Schmidt’s photo album: A lock of his hair which Mstislav Rostropovich stroked when he was only eight years old. The master's words at the time were to prove true: “One day you will become a great cellist.”

In fact, Wolfgang Emanuel Schmidt was already able to attract attention at numerous competitions during his studies with David Geringas and Aldo Parisot. He was a prize-winner at the International Tchaikovsky Competition in Moscow and winner of the German Music Competition. At the Rostropovich International Competition, the jury chaired by Mstislav Rostropovich awarded him the Grand Prix de la Ville de Paris and also the Contemporary Music Prize.

Ever since Wolfgang Emanuel Schmidt has conquered the world’s concert stages as a soloist, playing with renowned orchestras in Europe, Russia and the United States such as the Gewandhausorchester Leipzig, the Rundfunk-Sinfonieorchester Berlin, the Deutsches Symphonieorchester, the Orchestre Philharmonique de Radio France, the Tokyo Symphony Orchestra, the Houston Symphony Orchestra and the Philharmonia Prague under renowned conductors such as Marek Janowski, Charles Dutoit, Sir Donald Runnicles, Rafael Frühbeck de Burgos, Jiri Belohlavek and Gabriel Feltz, Michael Sanderling, Nicholas Milton, Markus Poschner and many others. In addition, he is a welcome guest at festivals like the Ludwigsburger Schlossfestspiele, the Rheingau Musik Festival and the Schleswig-Holstein Musik Festival, where he has performed with Christoph Eschenbach.

In addition to his solo activities as a cellist, Wolfgang Emanuel Schmidt is an enthusiastic chamber musician. He was a member of the Chamber Music Society Two of Lincoln Center in New York and forms the successful cello duo “Cello Duello” with Jens Peter Maintz – and has done so for around 30 years. Wolfgang Emanuel Schmidt also devotes himself to contemporary music with great passion. He has premiered works by Eva-Pekka Salonen, Alfred Schnittke, Christian Jost, Fabrice Bollon and Sören Nils Eichberg, among others.

For the past few years Wolfgang Emanuel Schmidt has increasingly focused his activities on conducting, a devotion towards what was already part of his studies at the Juilliard School in New York.

He has received invitations to the Dortmunder Philharmoniker, ​Robert Schumann Philharmonic Chemnitz, State Orchestra Rheinische Philharmonie Koblenz, Hofer Symphoniker, the Göttinger Symphonieorchester, the Kammerorchester der Deutschen Oper Berlin, Nordwestdeutsche Philharmonie, the Württembergische Philharmonie, Südwestdeutsches Kammerorchester and the Staatskapelle St. Petersburg, the INSO Lviv, the Christchurch Symphony Orchestra and Baltic Neopolis Orchestra. Guest conductorships have taken him to Switzerland, Poland and Spain.

As principal conductor of the chamber orchestra Metamorphosen Berlin which he also founded, Wolfgang Emanuel Schmidt has led the ensemble in numerous concerts in Germany, Spain and Switzerland as well as in concerts at the Elbphilharmonie, the Philharmonie Berlin as well as the Konzerthaus Berlin, where the orchestra has also found its artistic homes with its own concert series.

During the past few years the orchestra has recorded three critically acclaimed CD's with works by Dvorak, Suk, Tchaikowsky, Elgar, Britten and Warlock for Sony Classical. Wolfgang Emanuel Schmidt’s recordings of various cello concertos were also released by Sony Classical, and his recording of Ernest Bloch’s “Voice in the wilderness” appeared on the Capriccio label. In 2013 he was awarded the German Record Critics' Prize and the Diapason d'Or for his recording of Carl Maria von Weber's Piano Quartet with Isabelle Faust, Boris Faust and Alexander Melnikov.

In addition to his performances as a conductor, Wolfgang Emanuel Schmidt also regularly appears in a dual capacity as soloist and conductor simultaneously.

Wolfgang Emanuel Schmidt teaches as a professor at the Hochschule für Musik “Franz Liszt” Weimar and the Kronberg Academy.

Kateryna Titova

“She is a revolutionary with a brilliant technique, someone who goes against the grain, no punk of the classical scene but not entirely refined either, an artist who tells stories with her hands,” MDR declared when Kateryna Titova’s debut recording of works by Rachmaninoff was released by Sony Classical in 2009.

A native of the Ukraine, Kateryna Titova has won first or second prizes at twenty international piano competitions, notably the 2002 Alicia de Larrocha Competition in Andorra, the 2004 International Russian Music Piano Competition in San José, California, the 2005 Anton G. Rubinstein Piano Competition in Dresden, the 2008 James Mottram International Piano Competition in Manchester and the 2013 Spanish Composers International Piano Competition in Madrid.

Kateryna Titova was five when she began to play the piano. She attended the Kharkov Special Music School in the Ukraine before transferring to the Tchaikovsky Central Music School in Moscow. By 2001 she had moved to Germany to further her studies, initially with Michael Keller at the Münster Academy of Music, then with Arkadi Zenzipér at the Carl Maria von Weber Academy of Music in Dresden. She received an International Artist Diploma from the Royal Northern College of Music, where her supervisor was Norma Fisher, and also studied with Boris Petrushansky at the Imola Piano Academy in Italy. Her development as an artist has been influenced in no small way by Igor Blagodatov, a pupil of Jacob Milstein and one of the leading exponents of the tradition enshrined in the Russian piano school.

Both as a soloist and as a chamber recitalist Kateryna Titova has performed throughout Europe, Russia, the Ukraine and the United States of America with orchestras that have included the Netherlands Symphony Orchestra, the Moscow Symphony Orchestra, the Vienna Chamber Orchestra, the Philharmonie der Nationen and – under the direction of Maxim Vengerov – the Prague Philharmonic. Recitals have taken her to the Mecklenburg-Vorpommern Festival, the Bad Kissingen Summer Festival, the International Music Festival in Viana do Castello in Portugal, the Dresden State Opera, the Laeiszhalle in Hamburg, the Vienna Konzerthaus, Lesinsky Hall in Zagreb and Bridgewater Hall in Manchester. Her recording of chamber works with the oboist Ramon Ortega Quéro was released on the GENUIN label in 2012.

Kateryna Titova is the recipient of scholarships from the Vladimir Spivakov Foundation in Moscow, the Oskar and Vera Ritter Foundation, the Lutz-E. Adolf Foundation and the GWK in Münster, Northrhine-Westphalia, whose Young Artist Award she received in 2002. She has also received support from Rotary International and, in 2016/17, from the Funk Foundation.